What podcasts do you listen to? Any of these? THE LIST part two (in particular order...)
Wait Wait Don't Tell Me - The best way to keep on on current events.
Car Talk - Two brothers laughing and answer car repair questions. Its a show with three halves- what could be better than that?
Radiolab - Another NPR show- this one usually has a science topic, and the hosts are entertaining, really bringing their stories alive.
The Adventure Zone - NOT an NPR podcast? Yeah, but I first heard about it on an NPR podcast. Three brothers play Dungeons & Dragons with their dad. This podcast is absolutely highlarious! They start out playing the 5th Edition starter set game and then embark on their own campaign- complete with re-occuring NPCs and all sorts of wild shenanigans.
Feed my addiction. Tweet me your favorite podcast to add to my list.
It seems like I'm always adding a new podcast to my ever growing "to-listen" to list! Yikes. What began as a fun way to take a break from enjoying audiobooks, to cleanse by ear palate, has turned into hours of podcast fun!
Don't get me wrong. I love audiobooks, They are great entertainment and as a writer, they can sort of subliminally keep my brain on "creative mode". But, podcasts are more for fun. I've found they can stimulate the brain in other ways, different from other modes of information and entertainment. Maybe not creatively, but certainly I learn something every now and then.
THE LIST part one (in particular order...)
The News from Lake Wobegon
One segment of the A Prarie Home Companion show, Garrison Keillor tells a great short story each week. It has the fun feel of a rambling story but seems carefully plotted at the same time, and it's just full of hilarious bits.
TED Radio Hour
Not sure how I got into this one, I just can't stop listening! Don't blame me if you get stuck too.
Snap Judgement
Very entertaining stories, each with a related theme. Some snappy "sound design" included.
Science Friday
It's science! Need I say more. Well, maybe. You don't have to listen on a Friday. And sometimes I learn something.
Sensing a theme here? There are plenty of non-NPR podcasts out there too. Next time I'll get into some of my favorites, including some actual play role-playing games!
Feed my addition. Tweet me your favorite podcast to add to my list.
Welcome to my tour stop of "Learning to Stutter" by Sherm Davis, presented by Elite Book Tours.
To follow the full tour, please visit here.
Kenneth Kocher seems to have it all - a good heart, a sense of humor, decent looks, and lots of money. What he doesn't have is something most of us take for granted - freedom of speech. Kenneth lives with a severe stutter which has wreaked havoc with his life since childhood.
After much embarrassment, pain and soul-searching, Kenneth realizes that to free his inner self he must accept the fact that he cannot be cured, and that he must learn to stutter with grace. Along the way he meets another stutterer and a young widow who are both dealing with the stumbling blocks in their own lives.
Using an experimental syntax to portray the neurological component of the syndrome, the novel gives the reader a unique view of stuttering from the inside out.
AUTHOR INTERVIEW
What books have most influenced your life?
As a child, The Phantom Tollbooth
by Norton Juster really rocked my world. It showed me the outer limits of what
a book could be, what it could do to an impressionable brain.
Which writers inspire you?
Kurt Vonnegut and Philip K Dick have consistently been my favorite
authors, and I hav gotten into historical fiction as well, especially Gore
Vidal.
What is the book about?
In a nutshell, the book is about overcoming obstacles, but this book is
very specifically about the slippery syndrome of stuttering. 5000 years of
medical research is still inconclusive, and this book takes a look at
stuttering from the inside out as a neurological syndrome rather than a speech
impediment. There are two characters who stutter in the book, and each handles
his issues in different ways. This is intentional, as there is no catch-all
cure for stuttering, and every person who stutters needs to deal with it in a
different way.
What genre is your book?
I call it self-help fiction, because there is supposed to be a simple
inspirational message – just keep moving forward.
Where did the idea for this book come from?
My own experiences as a person who stutters formed the basis of the
book. I have been able to communicate effectively in spite of, or perhaps
because of, my stuttering. But others are not so lucky. This book was written
more for fluent people who have a loved one that stutters but have no idea how
to deal with the elephant in the room.
What was your favorite chapter or part to write and why?
My favorite part was, ironically, not related to stuttering at all. It
was related to cheating. The third main character, Ilene, is a widow who is
staying at her sister’s house in Vermont. She is cooking and accidentally burns
the kitchen down. Her sister Jen calls her husband Greg, but he is nowhere to be
found, and this confirms all her suspicions and sends her marriage into a
downward spiral. This entire scene was “unpremeditated.” I was writing the
scene expecting Ilene to cook breakfast and all of a sudden there were flames
everywhere.
What character stays with you the most now that the writing is done? And why?
I think Kenneth Kocher, the main character, stays with me most because
he stutters exactly like I do, and I took a lot of time and effort to invent a
lexicon of symbols to accurately describe his stuttering, and therefore my own.
Is there a message in your novel that you hope readers will grasp?
To keep on keeping on – to never stop moving forward no matter what the
obstacles.
How do you develop your plots and characters?
My characters are usually an amalgam of people I know, including parts
of myself. I try not to overwork my plots – I prefer to zone in on the
characters and let them develop personalities and make decisions organically.
If the characters ring true, the reader is more likely to follow their progress
and the story will be more believable.
What was the hardest part of writing this book?
The hardest part of writing the book was figuring out the ending. You
invest so much time in the characters and the story, and then you’ve got to
bring it all home convincingly. Some people read the ending and the want more,
but I don’t think life always gives you neat and clean endings, and I’d rather
leave a little to the reader’s imagination.
When did you decide to become a writer?
It wasn’t a decision, it was an imperative!
Why do you write?
Because I have to. There is a backlog of stories and experiences inside
me that I need to reorganize and give to the world. I write fiction rather than
nonfiction because I always try to scrape at the universal, the transcendent
Do you write on a typewriter, computer, dictate or longhand?
Usually a computer. I used to do more longhand journaling, but the
technology is too easy these days.
How did you feel after writing the last page of the book?
Triumphant, but humble. I knew it was a huge accomplishment, and then
again I knew that it was only my first book, and that no one had ever read it!
What are your future project(s)?
I have just released a bilingual collection of short stories in English
and Spanish. Click on this link to find The Hair Collector and Other Stories.
Thank you Sherm for taking the time to answer my questions. Your responses have provided an even deeper insight into your world.
ABOUT THE AUTHOR
David Howard Sherman Davis is a writer, musician and international educator who has taught in five countries on four continents. Born in Brooklyn, New York, and raised on Long Island, he currently lives by Lake Atitlán in Guatemala. His journalism and fiction have appeared in the United States, Canada, Guatemala, and online.
Welcome everyone. If you are new to the blog and don't know me, I am Daniel Steeves Connaughton, author of Imora and Keeper of the Bones. I am writing my next book, A Tale of Two Heroes, and you can help! Don't worry it will be really easy. All you have to do is "Read and Vote" on the piece of writing as I get them done to decide how the story evolves to the next piece.
We started onJune 26, 2016, but it's not too late to join in. Every other week I send out a piece from my novel in progress, A Tale of Two Heroes. You read the piece and vote on what happens next. Keep up with each piece of writing as they are released to make sure you get a say in how the story unfolds. Join us here.
Any questions or feedback, just hit {Reply} to the bi-weekly email or leave a comment.
While I
have many books plotted out in my head and wish they'd all get themselves onto
paper, my brain has taken an unforeseen side-track. In addition to A Tale of Two Heroes, I'm also writing about a once-hero named Tarku Bavi who now
scrapes by through solving other people's problems. He mostly causes new ones for himself and the people he's supposed to be helping. The
master of the Scribers' Guild hires him to persuade an opportunistic scribe to
give back the extra copies he's made of certain mysterious documents. When the
scribe ends up on the pointy end of a spear and the scrolls go missing, Tarku
finds himself in the midst of more trouble than he ever dreamed.
From
getting involved in a tax collection scheme to being misled by other parties
trying to obtain the scrolls, Tarku is not having the easiest of times. Actually,
he just got stabbed in the back. Well, hacked, really. But he's
having a great time catching up and adventuring with some old friends again.
If they could just stop joking around and focus on what needs doing!
I've been
having a fun time playing around with the magic in this new world. Tarku is an illusionist, so it is fun to
explore how that works mainly by having to "sell" the illusion to the
receiver. How believable do illusions
have to be? Can even a little doubt
totally crumple an illusion? What if the
receiver is distracted- will they not notice those difficult to add details are
missing?
A complex machine, lost to all memory, lies beneath the town of Hawk Haven and the surrounding lands. Constructed as a great experiment when the world was new, designed to control the flow of time and sew together the fabric of reality. Left unmaintained for thousands of years, it was only a matter of time before something broke.
Beetle Warrior Illarytl – a loyal and brave guard of Hawk Haven. Duty and service is her mandate. When performers arrive in town and humiliate her, the chief guard puts her on reprimand leave. Now she needs a way to redeem herself to her fellow warriors and townspeople, and regain her honor. One thing is certain, she won't spend time watching the performers.
Penk- a thief specializing in the art of the fence. Fencing goods behind his master's back is a profitable side venture. When the master catches him, Penk realizes maybe it wasn't his best idea. Now he just needs a place to lay low for a while, maybe let the master's head cool. Maybe find a way to get out of town for good while his heart still beats.
The malfunctioning machine splits Illarytl and Penk into two separate realities, sending them on the same quest, at the same time, but not together. They each travel the same paths, accepting a friend's challenge to spend two nights in an ancient tomb. Two nights when the holy comet crosses the sky and raises the dead of old from rest. As the nights pass, Illarytl's and Penk's realities begin to overlap and they uncover the secrets of the great machine. Can they find a way to repair it and merge realities back into one before the machine tears the region apart? What will happen to their lives, their history, when things are fixed?
Ever wondered how a writer comes up with and develops their characters, setting, and plot? Now you can take a peek behind the curtain and help me write my next book, A Tale of Two Heroes. Sign up here to learn what A Take of Two Heroes will be all about.
In this choose-your-own-adventure inspired format, you, the reader will participate in developing the story from start to finish. Not only that, but you'll be able to vote on what will happen next time! Read the chapters as they develop and see how the actions you choose for the characters play out.
Simply read and vote.
The option with the most votes will be the one I write. Will you send my characters into danger or let them relax at the local tavern? Will you point them toward completing their goals or try to send them astray? Will you choose to develop their good qualities or their bad? Join me here to experience the story as it unfolds.
So, are you in?
Join my new bi-weekly newsletter to read A Tale of Two Heroes as I write it starting June 26, 2016.
Sign up for the newsletter today so you don't miss out on the beginning of the story and making your vote count. Let the adventure begin!
Leave a comment below and let me know if you are joining me on this adventure.
Keeper Ormund is in charge of bringing the bones of dead soldiers who died in battle home to Kettle Hill for proper burial. When a Bone Whisperer, a cleric with the power to read the lives of the dead in their bones, joins him, Ormund fears what the readings will reveal of his own sins. The cost of his guilt will be his soul.
As Ormund and the Whisperer make their way to Kettle Hill, each of the fallen soldiers gets their own story told through their own eyes. In their stories, an evil forest spirit, an agent of the enemy, seduces members of the army. Her charms and the assignments she gives them threaten not only the sanity of the Kettle Hill soldiers, but also their lives. With each reading, the Whisper draws closer to discovering Ormund's involvement and the more determined Ormund becomes to keep his secrets hidden.
Epic battles? Sure. Good and evil are sort of blurred lines in this book. Is the dragon evil for eating a village when she's hungry? Is a warrior evil for wanting to kill a dragon for glory and fame?
Are there any noble warriors on an epic quest?
Uh. No. That's an old hat I'd rather not wear. I find books like that boring to read, so I can't imagine writing one.
Are there any farm boys with world saving destinies?
Uh. No. No destiny.
Who is the main character?
That would be Imora, a dragon. The entire book is told from her point of view.
What is your favorite part of the book?
When Imora is at her weakest, struggling to survive as a huge creature bound to the land and having to adapt to a new way of living without her wings. There is a point when she is forced to find a new cave to sleep in for a hundred years and it's in a warm place, which for an ice dragon is very uncomfortable. A hundred years later she wakes to find the landscape drastically altered into a swamp, in which she has become a feature.
Who is your favorite supporting character?
I'd have to say it is the scribe she encounters. While she doesn't eat him (she doesn't eat everyone in the book!) she still finds a way to use him to further her own glory in a sort of selfish, but at the same time nice way. This historian/scribe manages to meet her on a level playing field intellectually.
How does the setting relate to a place you have been?
Any New England day with LOTS of snow and ice around!
What is Imora the Ice Dragon's favorite color?
Any of the shiny ones! You know, like gold, silver, rubies, sapphires- those are colors right?
What is Imora the Ice Dragon's favorite food?
Believe it or not, fairies are not only a very tasty treat, but extremely nutritious.
If Imora the Ice Dragon could go on any vacation she wanted, where would it be?
She would definitely go to the North Pole and spend a couple decades just lounging on a glacier and hanging out with polar bears. She'd need a few thousand servants to supply her with a constant stream of fish.
What does Imora the Ice Dragon do for fun? I mean, she's got decades of being awake; she must have some sort of hobby to fill in the years?
You're right. Even Imora needs to take a break from showing off how powerful she is to the locals so they don't think they can mess with her. Hunting takes up a lot of her time, but when she's chillin' in the ice cave with a full belly, she likes to make ice sculptures. When she really needs to relax, she crochets with hooks made from bones and really, really, really big skeins of yarn.
Does this story have a central lesson?
If there is any central lesson, its that dragon's are not humans.
At what point did you decide to continue writing this book?
As soon as the outline was done. I like plotting everything out before I start writing. I don't always stick to the outline 100%, but I like to know what's coming so I can think about and take notes on parts I know are upcoming so I'm ready to write them when I get there.
Did the book turn out the way you wanted it to?
The biggest problem I had with Imora, was trying to make sure she couldn't easily be replaced with a human character, both physically and in the way she thought or made decisions. She had to be alien enough, that is different enough, from a human character but also be sympathetic to the reader.
Did you face any obstacles when writing this story with plot problems or character development?
The biggest problem I had was how to order the chapters. Part One is really the middle part of the story. Part Two is the beginning. Part Three is the end. The reason for this is Chapter One of Part One has the strongest introduction to the dragon, with her waking up in an ice cave after a hundred years asleep. I struggled with this order a lot and had a hard time finding a better way to introduce her.
Have you read books similar to this?
Conn Iggulden's historical fiction Conqueror series about the Genghis Khan gives the reader a hard, stone-faced character you just don't mess with or defy. Likewise, the main character in Bernhard Cornwell's Saxon Stories is brilliantly arrogant and sees himself as an awesome, teeth kicking warrior. Of course, Game of Thrones gives the reader many "villain" POVs.
There are plenty of fantasy books too. I remember reading the beginning of a Piers Anthony book that started in a goblin's point of view and the idea of an entire book told this way really struck my imagination. I don't remember the name of the book or if I even finished reading it after it dropped the goblin's point of view.
The Orcs trilogy tries to give us the orc's point of view but mostly could have been about a band of human mercenaries instead of monstrous, other-worldly orcs. We really didn't get a good idea of what it was to be an orc as much as it was to be a team of mercenaries working for the bad guy. We do get a good glimpse at other non-human characters though.
I've yet to encounter a book that gives the reader the true experience of being in the dragon's point of view- a real dragon- the kind we all grew up learning were big scary monsters.
Imora is a story told entirely from
a dragon's point of view. A real
dragon. You know those huge flying
creatures with evil streaks that the little people run in fear from? Yeah, that's what a real dragon is.
There are plenty of stories written
from the "bad guy's" point of view, from dragon and other monster's
points of view. These quickly turn into
stories about the misunderstood bad guy and worse, they human-ize the monsters
to the point where a "goblin" could easily be called a "human"
and the reader wouldn’t know the difference.
Even then, it seems like most books give only glimpses of the dragon's
point of view while the human characters get all the attention.
With Imora, I wanted to do
something different and experience what it really is to be huge, powerful, and
a little evil. I wanted Imora to be a real dragon. Real dragons don't shy away from eating
humans (hey, they have big belly's to fill!).
Imora is awake for decades at a time.
She's selfish, sure, but, you know, who isn’t a little bit? She knows she's powerful and has no problem
using that to her advantage. And it
makes her, I hope, wonderfully arrogant.
The challenge was making a
character like this sympathetic and show the disadvantages of being a dragon as
well. When she sleeps it's not for eight
hours, it's for a hundred years. Where
can she sleep safely for that long without some monster hunter coming to kill
her in her sleep? How would you hide
something the size of a jet liner for a hundred years and protect it at the same
time? Imagine how much the world changes
in a hundred years. What if you went to
sleep in the year 1900 and woke up in 2000?
How would you cope with and adapt to these changes? How can something the size of a jet liner
sneak around if it needs to? And you
know those pesky good guys always have an "instant kill" weapon specifically
designed to take out the bad guy. Well,
if you’re the bad guy, the monster that eats whole villages, well, that’s a
problem. How do face something like
that? How do you remind the pesky good
guys you are the power in the neighborhood so they don't come knocking on your
door hoping to steal all that treasure you love to horde?
How do you make a character like
this sympathetic? Well, that’s where the
plot takes us. It’s a story about a
mother trying to save her son. It’s a
story of survival not just against the hordes of good guys, but against nature
and time.
For centuries, Imora the Ice
Dragon Imora has watched the fierce Dengals expand their empire across the
high, cold mountain ranges. While she
works to drive them back, claiming the mountains as her own, each time she
sleeps for a century, they regain their footing. When they kill her son, she finds his heart
struggling for survival in a pool of its own blood. First, she must find a way to preserve the
heart while she prepares to resurrect her son.
Her journey takes her deep beneath the mountains and to the highest
cloud tops. Forced to surrender to the
long dragon sleep once again, a thief steals away with the heart. When she loses her wings in battle, she must
not only find a way to exist as a creature of the ground, but find the thief
and save the heart before he uses its powers for himself.
For 2015, I conducted an experiment. You can read about the start of my journey here. After several years
of reading only eBooks on the Nook, I wanted to see what it would be like to go
back to reading those "old-fashioned" paper books. You remember those? Those books made out of paper and backs.
Those books that you had to actually had to manually lift the page to turn. Anyways,
I knew I'd feel a certain amount of nostalgia and as the months and books went on,
I started to feel the urge to get back to the Nook. Hey, it's convenient as long as I can charge
it, it’s easier to look up words in the dictionary… and be distracted by the
internet.
Back to Paperback
However, let's just say the
Nook is now merely a mobile Netflix device and mostly a dust collector. Yeah, I'm back on the paperback wagon.
It's 2016 and I'm still reading paperbacks. There's just something about a book...
Leave a comment. What are you reading? Is it in ebook or paperback?
By now, I thought I'd be running out of things to say about
reading paperbacks. Turns out, not quite
yet. Less, yes, but there is still the
experience to talk about.
The Richard Sharpe series is great. I've always read them in paperback even after
I bought a Nook, mainly to keep my collection going. The newest covers are just fantastic.
I was a little wary about bringing my precious new copy of
the book with me on a camping trip.
Problem was I already started reading it. These books are addicting. I wasn't going to be able to go three days
without reading it. Therefore, I packed
it up in a safe spot and brought it along.
I have to say it was neat reading this adventure story while
on an adventure. I've brought the Nook
camping before and had to worry about it getting wet in rainstorm. The same happened here as well, only there
wasn't the same concern over losing something expensive to water. In addition, reading a paperback while out in
the wild felt more natural than when reading on the Nook in the same
setting. Can't really explain it.
The book survived mostly intact (just a bent corner on the
cover) and is now safely home on my shelf next to the other Sharpe's novels.
My review of
the actual book content can be found on my Goodreads page here: Goodreads
The addictive nature of this book combined with the
traditional paperback doorstopper-sized copy equaled an overall good reading
experience. Not too much to say about
reading a paperback versus reading an eBook this time around.
However, as I read the last words, closed up the book, and
put it in the return pile for the library, I realized I am engulfed in the
paperback reading experience. That is to
say, I had no desire to return to reading on the Nook while I was reading this.
Then I thought about that some more. And some more. And a little more. Not on purpose. It just kept popping into my head that
reading eBooks on the Nook is not really too different. While reading paperbacks has its nostalgia,
the eBook mostly the same. Except of
course worrying about battery power. And
not having to need light to read by.
There is indeed a part of me that is eager to get back to
reading on the Nook again. That being
said, I'm not ready to give up on reading paperbacks for the rest of the year.
I think I'm going to enjoy that nostalgia for a while longer.
If you want to see my review of the actual book content, it can be found here at Goodreads:
Another library book this time. The cover and binding was reinforced with
tape so it felt old and used, which is a good feel for a fantasy novel. It’s the 6x9 paperback size and at 600+ pages
it’s somewhat cumbersome to read at any angle or position. It is a good size to read in the car though,
just hard to fit in the glovebox, especially when the wads of Dunkin Donuts napkins don't want to share the space.
The experience of reading this book boils down how long it
took me to complete. It took me quite a
while to read this one. Long enough that
I had to renew it twice and recheck it out twice to get through it. Three main things contributed to this. The first is that the book itself is chock
full of exposition that really slows down the pace. The second is all Netflix's fault for
releasing the third season of Longmire along with some other shows I've been
waiting for, which I just had to watch.
The third is that I lost interest a couple times in the plot. I did finish it though and the ending was
well worth it. I returned it to the
library for the last time just in time to pick up my next read.
For a somewhat more serious review of the actual of book, you can read my review at Goodreads here: Review of The Barrow at Goodreads
As I wrote in the first post for “Back to
Paperback”, this is not a review of the novel. This is about my
experience reading it in paperback.
If
you would like to read my review of Viperhand, it can be found at Goodreads.
This was a nostalgia read for a two
reasons.First, it’s a Dungeons & Dragons novel and I
haven't read one of these since I was a teenager.Second, it’s a standard paperback mass-market/pocketbook size
which I haven't read since I got the Nook.
The copy I read was from the library, so it
looks as if it was well-used/read over the years.The binding was somewhat creased and a little torn and wrinkled
in places, the pages tinged that aged grayish-yellowish color.One page had a tear in the corner.And, this is no fault of it being a library
book, but Chapter 13 had the title "Chapter 3". When I purchase a paperback I like giving
it some TLC such reading it in a way to carefully make sure no pesky creases
show up on the binding.Anyone else do
this?Admittedly, I didn't feel the
urge to treat the library book quite the same way, which I'm going to attribute
to its already well-used condition.I
was careful enough.
I was somewhat expected the feel of the paper to
bring back some memories or feelings, but that didn't really happen.What did evoke feelings of familiarity more
than anything else was the size of the book.It was handy to carry around.I
was able to read in bed on my back while remain comfortable. There's that saying about curling up with a
good book and that certainly pertains more to a paper than it does to the Nook
for a reason I haven't figured out yet.
One big difference I noticed was that I read
more while reading.As long as I
stashed the Nook away in another room, I was able to avoid the pull of the
internet and the desire to just watch some Netflix instead a few nights a
week.That being said, it feels like it's
taking forever for me to get through Season 2 of Ripper Street!And I really can't wait to watch Turn now
that it's finally on Netflix.
That’s it for Viperhand.Next up, I'll be
reading The Barrow by Mark Smylie. Anyone out there prefer the standard paperback mass-market/pocketbook size book? Any recommendations on some oldy but goody D&D novels?
This year I've decided to give my Barnes & Noble Nook a rest (well, ok, I'm still watching plenty of Netflix on it at the gym). Usually I read three books in a row on the Nook and the fourth in paperback (reserved for my in-progress collection of the Richard Sharpe series). Reading an eBook versus a paperback is a whole different experience and there's plenty written about it on the internet I'm sure. What I am going to do this year is write a short first hand account of what it is like reading each book on paperback and at the same time see if I have the urge to go back to the eBook.
March is almost over, so I've already got a head start. Here are some things I've noticed so far:
No Features
I need to stop touching the edge of the page and expecting it to turn itself. I only waited a half hour the first time I tried this on a paperback before concluding it was not going to magically flip to the next page. Next time I try, I'll press harder and give it an hour to see if it happens. I'm guessing glaring more sternly at the page might help.
No matter how hard I press on a word, the paperback won't look up the definition for me or allow me to make notes (unless I get a tool like a pen or pencil, but hey, I'd never deface a precious book like that, even if I'm never going to read it again (oh, and these are library books so I can't do that anyway!).
No Internet Access!
This is a good thing. There is no internet access on those paperbacks which means less distraction and more reading! I can go to sleep after closing the book instead of looking up stuff on the internet for another half hour. And even better, I don't pause reading to look up stuff either so I get more reading done.
Does anyone else have this problem? How much time do you spent on the internet when trying to read?
Having to read with the lights on!
Well, even with the Nook set on a black screen and the back-light turned down all the way, its still murder on my eyes to read in the dark with the thing, so no change here- I read with the lights on anyway.
Does anyone else have this issue? Reading in the Car
Not much difference here except I can toss a book up on the dash and not worry about stowing it away. I doubt anyone will break into the car to steal a book. At least I hope not! And by the way, I'm talking about riding in a car and reading, not reading while driving. Just saying.
Falling Asleep While Reading
Waking up with drool all over the Nook screen is an easy clean up. On a paperback, its just gross.
Reading laying on my back and holding the Nook over my face can be mildly dangerous when I doze off and said Nook slips from my fingers to land on my face (and makes me feel like a moron).
I'm not the only on that does this, right? Right? I've never had this happen with a paperback- have you?
Here's the paperbacks I've read already this year: Sharpe's Trafalgar (by Bernard Cornwell) Empire in Black and Gold (by Adrian Tchaikovsky) Shaman (by Kim Stanley Robinson)
NEXT POST: I am currently reading Viperhand by Douglas Niles. Yes, it is a Forgotten Realms Dungeons & Dragons novel. When I'm done reading Viperhand I will write about why I'm reading it in addition to my experience reading it for my next post on "Back to the Paperback".
In the meantime, what are your thoughts about reading an eBook versus a paperback?
I will be at the Maclure Library in Pittsford VT to sign copies of Imora and Keeper of the Bones on Saturday, October 4th from 9:30 am - 12 noon. You can check out the library at http://www.maclurelibrary.org/ for location and you can also read about its interesting history. Their Facebook page is here: https://www.facebook.com/pages/Maclure-Library/426539224047429.
